Meglamancha GE, Netherlands
Dutch noise-drone duo MEGLAMANCHA:
the collaboration between guitarist Freek Philippi and drummer Marlon Wolterink.
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supported by 4 fans who also own “Telchine”
After the slow(/fast) build of Organ Donor, the otherworldly Birth, and the further dread of Gestation, Mankind is... upbeat. Almost joyful, for a Dead Neanderthals drone. Damn, these songs are amazing.
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FEAN
by FEAN (Piiptsjilling with Joachim Badenhorst, Sylvain Chauveau and Annelies Monseré)
supported by 4 fans who also own “Telchine”
staggering craft. intuitive, it breathes, the clarinet winding through sparks of percussive snaps, claps, tings, gourd rattles, teasing at momentum. beguiling organ, throbbing and throaty, joins baars mesmerizing voice. her exhalations are breathtaking. monsere, like in a dream, recounts in a precise monotone calm. horns bleat. gulls bark. field recordings, hiss and feedback dangerously loom at the fringe. a most intimate of rituals, musicians of extraordinary talent weaving aural bliss.
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supported by 4 fans who also own “Telchine”
This sounds just as I'd hoped it would, fitting very nicely alongside Ghosts with its Dead Neanderthals long-form doom-drone (as if that were an accurate description...) plus guitar (feedback, melody, weight, etc.). Necrology forms a heavy haze that a steady rhythm pounds through, spinning up one guitar line and another. Banishment trudges along a dark path, but toward light slivering through the clouds, until the sun finally breaks.
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The Summer Passed in Monotone
by Thom Nguyên
Thom Nguyên's textural drones don't sit static and heavy—instead, they unfurl and come alive over the course of this energizing new LP.
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An introspective record that fuses post-rock, shoegaze and ambient synth patches into a seamless array of shimmering soundscapes.
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Darkness Visible - EP
by Stephen Roddy
An experimental composer from Ireland, Stephen Roddy proves equally adept at crushing soundscapes as he does mysterious melodies.
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